繞行在迴圈裡的線性

創作理念

初次戴上助聽器的契機源於家中長輩的老化。混合了新奇與特別的第一印象，伴隨的是無限放大的感官不適，為了與外界重建連結，主體卻不得不依賴這份科技的介入。「媒介是感官的延伸」—理解媒介，助聽器作為一種身體的擴充，刺耳的電子訊號卻反向重塑了感官的邊界。

作品以助聽器做為出發點，重新思考聲音與視覺的共生關係。透過即時操弄數位影像與音效，試圖打破傳統的觀看機制，重新界定創作者與觀眾之間的交流。不斷繞行的機械結構，將聲音與影像具象化，使自身、觀者與不適的訊號流淌於同一場域中，共構一場關於感知重組的空間政治學。

The genesis of first putting on a hearing aid stems from the aging of an elder in my family. The initial impression, a blend of novelty and singularity, was accompanied by an infinitely amplified, embodied discomfort; yet, to reconnect with the outside world, the subject had no choice but to rely on this technological intervention. As Marshall McLuhan stated in Understanding Media, “media are the extensions of man”—while the hearing aid serves as an extension of the body, its piercing electronic signals conversely reshape the very boundaries of our senses.

Taking the experience of the hearing aid as a point of departure, this work reexamines the symbiotic relationship between sound and vision. Through the real-time manipulation of digital imagery and soundscapes, it attempts to disrupt traditional mechanisms of viewing, redefining the exchange between the creator and the audience. The continuously circulating mechanical structure materializes both sound and image, allowing the self, the viewer, and the uncomfortable signals to flow within the same domain, collectively co-constructing a spatial politics of perceptual restructuring.